The Godfather
The Godfather
The Godfather
The Godfather

The Godfather 1972

175 دقیقه
March 14, 1972
R

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

ژانرها : جناییدرام
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اطلاعات تکمیلی

IMDb: 9.2/10 (2244571 رای)
رتبه محبوبیت IMDb: 88
Metascore: 100
امتیاز کاربران متاکریتیک: 9.2
Tomatometer: 97%
Popcornmeter: 98%

توزیع آرای IMDb

10 1136472
9 554719
8 278521
7 109792
6 41090
5 22388
4 11386
3 8342
2 7468
1 43706

امتیاز به تفکیک کشور

آمریکا 494816
9.2
انگلستان 169077
9.0
Türkiye 109676
9.3
هندوستان 86886
9.2
آلمان 68953
9.0
بودجه (دلار)6000000
بودجه6000000 USD
فروش هفته اول302393 USD
فروش داخلی136381073 USD
فروش بین‌المللی114551980 USD
عنوان اصلیThe Godfather
وضعیتمنتشر شده
سال انتشار1972
شناسه IMDbtt0068646
تعداد بازدید179
راهنمای والدین (37)

Sex & Nudity شدت: متوسط Two characters kiss passionately. This scene is extremely prolonged, lasting 2-3 minutes. No nudity shown and this is easy to skip.

Sex & Nudity شدت: متوسط Some guy is peeing.

Sex & Nudity شدت: متوسط You see a man and a woman start to kiss slowly and the woman starts to slip off her dress. Bare breasts shown after she takes off dress. Scene lasts about 1-2 mins.

Sex & Nudity شدت: متوسط A woman makes a hand gesture implying her husband has a large penis; this may fly over young viewers' heads.

Sex & Nudity شدت: متوسط A man's buttocks is seen at the chiropractor. Not sexual. No other nudity shown.

Sex & Nudity شدت: متوسط A second brief scene of lots of kissing and touching, but the worst they touch is the stomach. No nudity and not explicit.

Sex & Nudity شدت: متوسط A 16 year old undressed and we see his bare chest while he's in the shower. Brief and not sexual.

Violence & Gore شدت: زیاد A man is shot in the eye and dies. Blood pours out of his eye. Shocking and graphic.

Violence & Gore شدت: زیاد This film is very violent. The violence is much more realistic than most films made now.

Violence & Gore شدت: زیاد 9 people are assassinated. These scenes are bloody.

Violence & Gore شدت: زیاد The violence, although bloody at times, is not shown constantly.

Violence & Gore شدت: زیاد A woman inside in a car is shown blown up.

Violence & Gore شدت: زیاد A man is shot four times by another man through a glass door, blood on the glass is seen. A man and woman in bed are shot to death with machine guns, brief but a bit bloody.

Profanity شدت: متوسط No uses of the F word considering it is rated R, this is surprising.

Alcohol, Drugs & Smoking شدت: کم Some of the movie's plot is centered around drugs and drug dealing. But no actual activity is shown with illegal drugs.

Frightening & Intense Scenes شدت: متوسط Although almost every character in the movie is a criminal, some deaths may still be emotional.

Frightening & Intense Scenes شدت: متوسط For adult audiences only due to its graphic nature.

Frightening & Intense Scenes شدت: متوسط The scene with the horses head is especially disturbing as a real horse head was used.

Frightening & Intense Scenes شدت: متوسط The film sometimes has a dark tone, with some of the death scenes being hard to watch.

Frightening & Intense Scenes شدت: متوسط The assassinations are very intense, the tollbooth and revolving-door shootings especially.

Violence & Gore شدت: زیاد A man is machined gunned to death. This scene is very violent and very brutal. This is probably the most brutal scene and it lasts for quite a long time.

Violence & Gore شدت: زیاد A man finds a horses head in his bed when he wakes up. Tons of blood and gore is soaking the man and the bed. He screams and cries.

Violence & Gore شدت: زیاد Two men in a restaurant are graphically shot in the head. Blood sprays out of their heads.

Violence & Gore شدت: زیاد A montage of gangsters being killed. One gangster locks a revolving door and traps & shoots a man through a glass window multiple times. Two people are machine gunned to death in bed. A man is shot in the eye. Two other people are shot. Lots of blood is shown.

Profanity شدت: متوسط Two uses of the word "Vaff*nculo", Italian for "F*ck you".

Profanity شدت: متوسط 7 uses of "godd*mn".

Profanity شدت: متوسط Finn*chio (italian for "f*gg*t") is used.

Profanity شدت: متوسط 9 uses of "hell"

Profanity شدت: متوسط 4 uses of "God" in vain.

Profanity شدت: متوسط 2 uses of "Jesus Christ" in vain.

Profanity شدت: متوسط The N word is briefly used.

Alcohol, Drugs & Smoking شدت: کم The issue of child drug use is briefly discussed, and the Commission (the Sicilian American Mafia's top organization) decides not to deal in drugs near schools to avoid it.

Alcohol, Drugs & Smoking شدت: کم Some casual smoking and drinking.

Alcohol, Drugs & Smoking شدت: کم A minor theme of drug trafficking is present in the movie. It is presented as a lucrative, but dirty, dangerous business.

Frightening & Intense Scenes شدت: متوسط The depiction of domestic violence in the movie is very intense and can be upsetting.

Frightening & Intense Scenes شدت: متوسط The overall tone of the movie is very dark and depressing, especially during the second half.

Frightening & Intense Scenes شدت: متوسط Multiple major character deaths that may upset some viewers.

نام‌های دیگر (92)
Kumbari
El Padrino آرژانتین
The Godfather استرالیا
Der Pate اتریش
The Godfather بنگلادش
en
The Godfather بلژیک
en
De peetvader بلژیک
qbn
O Poderoso Chefão برزیل
Кръстникът بلغارستان
bg
The Godfather کانادا
en
Le parrain کانادا
fr
El padrino شیلی
教父 چین
cmn
El Padrino کلمبیا
Kum کرواسی
Kmotr
Krstný Otec
Kmotr
cs
Krstný Otec
sk
Godfather دانمارک
El padrino
Al aab Alrohy مصر
ar
Al-arraab مصر
ar
The Godfather مصر
en
Ristiisa
Kummisetä فنلاند
Le Parrain فرانسه
Der Pate آلمان
O nonos یونان
Ο νονός یونان
The Godfather
The Godfather هنگ کنگ
en
A keresztapa مجارستان
Guðfaðirinn ایسلند
The Godfather هندوستان
en
The Godfather هندوستان
hi
The Godfather اندونزی
en
Pedar khandeh ایران
fa
The Godfather ایرلند
en
The Godfather
en
Hasandak
he
Il padrino ایتالیا
Goddofâzâ ژاپن
Godfather ژاپن
en
ゴッドファーザー ژاپن
ja
Krikštatėvis
El padrino مکزیک
De peetvader هلند
The Godfather نیوزیلند
en
Gudfaren نروژ
El padrino پرو
The Godfather فیلیپین
en
Ojciec chrzestny لهستان
O Padrinho پرتغال
The Godfather
Nașul رومانی
Крёстный отец روسیه فدرال
Кум صربستان
The Godfather سنگاپور
en
Krstný otec
The Godfather آفریقای جنوبی
en
Daeboo جمهوری کره
Xaç atası
az
Ristiisa
et
Natlimama
ka
Өкіл әке
kk
Krusttēvs
lv
Krikštatėvis
lt
Крестный отец
ru
Хрещений батько
uk
Cho'qintirgan ota
uz
El padrino اسپانیا
El padrí اسپانیا
ca
Gudfadern سوئد
教父 تایوان ، استانی از چین
The Godfather تایلند
en
Baba Türkiye
tr
Хрещений батько اکراین
The Godfather
The Godfather انگلستان
The Godfather آمریکا
Mario Puzo's The Godfather آمریکا
El padrino آمریکا
es
El Padrino اروگوئه
El padrino
Bố Già ویتنام
Der Pate
The Godfather
en
Kum
hr
Kum
sr
Кум
sr
Boter
sl
تاریخ‌های اکران (109)
آمریکا
March 14, 1972
آمریکا
March 15, 1972
آمریکا
March 22, 1972
کانادا
March 24, 1972
آمریکا
March 24, 1972
ژاپن
July 15, 1972
اروگوئه
August 10, 1972
انگلستان
August 23, 1972
انگلستان
August 24, 1972
August 24, 1972
ایرلند
August 25, 1972
برزیل
September 10, 1972
ایتالیا
September 14, 1972
آرژانتین
September 20, 1972
ایتالیا
September 21, 1972
سوئد
September 27, 1972
هلند
September 28, 1972
فنلاند
September 29, 1972
فرانسه
September 30, 1972
مکزیک
October 5, 1972
نروژ
October 16, 1972
فرانسه
October 18, 1972
اسپانیا
October 20, 1972
پرتغال
October 24, 1972
بلژیک
October 27, 1972
استرالیا
November 2, 1972
اسپانیا
December 7, 1972
یونان
December 18, 1972
دانمارک
December 26, 1972
لهستان
December 31, 1972
January 6, 1973
ژاپن
March 24, 1973
Türkiye
October 1973
هنگ کنگ
October 11, 1973
شیلی
March 27, 1974
آمریکا
November 16, 1974
January 1, 1975
آرژانتین
October 28, 1976
جمهوری کره
May 25, 1977
هندوستان
1978
ژاپن
October 7, 1978
ایتالیا
August 18, 1979
هنگ کنگ
January 24, 1980
تایوان ، استانی از چین
October 31, 1980
مجارستان
March 25, 1982
استرالیا
November 1, 1990
Türkiye
November 30, 1990
ایسلند
March 6, 1991
آمریکا
March 21, 1997
استرالیا
August 7, 1997
فرانسه
February 25, 1998
مکزیک
August 14, 1998
چین
June 2001
کانادا
September 23, 2001
آمریکا
October 9, 2001
آلمان
February 2004
ژاپن
June 19, 2004
فرانسه
September 2004
فرانسه
August 2, 2006
ایتالیا
June 15, 2008
آمریکا
September 23, 2008
برزیل
September 27, 2008
ایتالیا
October 23, 2008
انگلستان
September 25, 2009
کانادا
February 5, 2010
جمهوری کره
May 27, 2010
اسپانیا
June 17, 2011
هلند
November 10, 2011
آرژانتین
November 24, 2011
آمریکا
March 1, 2012
تایوان ، استانی از چین
October 19, 2012
یونان
June 30, 2016
استرالیا
September 16, 2016
سوئد
November 10, 2016
سنگاپور
May 9, 2017
فیلیپین
May 1, 2020
June 20, 2021
Türkiye
May 9, 2025
ایتالیا
November 2, 2010
تایلند
June 6, 2011
پرو
November 29, 2012
مکزیک
February 8, 2013
فرانسه
September 18, 2013
چین
June 16, 2014
شیلی
January 24, 2015
چین
April 18, 2015
July 17, 2015
اندونزی
January 7, 2016
پرو
June 4, 2016
آفریقای جنوبی
July 31, 2017
هندوستان
June 21, 2018
تایوان ، استانی از چین
September 27, 2019
September 23, 2021
مصر
February 23, 2022
آرژانتین
February 24, 2022
شیلی
February 24, 2022
February 24, 2022
لبنان
February 24, 2022
هلند
February 24, 2022
پرو
February 24, 2022
February 24, 2022
ایرلند
February 25, 2022
سنگاپور
February 25, 2022
آمریکا
February 25, 2022
ایتالیا
February 28, 2022
آمریکا
March 22, 2022
چین
August 13, 2022
آلمان
October 16, 2022
چین
June 9, 2023
نکته‌های جالب (11)مشاهده همه
Cameo Gray Frederickson: The film's associate producer as the cowboy in the studio when Tom Hagen encounters Studio Head Woltz for the first time.
Lenny Montana (Luca Brasi) was so nervous about working with Marlon Brando that in the first take of their scene together, he flubbed some lines. Director Francis Ford Coppola liked the genuine nervousness and used it in the final cut. The scenes of Luca practicing his speech were added later.
Cinematographer Gordon Willis earned himself the nickname "The Prince of Darkness," since his sets were so underlit. "Paramount Pictures" executives initially thought that the footage was too dark, until persuaded otherwise by Willis and Francis Ford Coppola that it was to emphasize the shadiness of the Corleone family's dealings.
Francis Ford Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors and actresses couldn't break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.
The cat held by Marlon Brando in the opening scene was a stray that Coppola found while on the lot at "Paramount Pictures," and was not originally called for in the script. So content was the cat that its purring muffled some of Brando's dialogue and, as a result, most of his lines had to be looped.
سوتی‌ها (118)مشاهده همه
نابه‌هنگامی Sonny dies in late 1948 or early 1949; however, he was listening to the 3 October 1951 radio broadcast of Russ Hodges calling the Dodgers-Giants playoff, a half-inning before Bobby Thomson's "Shot Heard 'Round the World," two years later.
نابه‌هنگامی Shortly before Paulie is killed the car is shown driving past a run of guardrail with steel posts, first used in the mid 1960s.
نابه‌هنگامی (1:53:44) After Sonny is shot, When the shot is on the toll booth a yellow 1970s car can be visibly seen driven past out the window.
audio_visual_unsynchronized During Sonny and Carlo's fight, one of Sonny's "movie" punches is shot from the wrong angle and clearly misses, but still produces the sound of an impact.
audio_visual_unsynchronized When Moe Greene says his line "I talked to Barzini", it's obviously dubbed in.
دیالوگ‌های ماندگار (50)مشاهده همه
* [to Rocco who has killed Paulie in the car] * Peter Clemenza: Leave the gun. Take the cannoli.
* Michael: My father is no different than any powerful man, any man with power, like a president or senator. * Kay Adams: Do you know how naive you sound, Michael? Presidents and senators don't have men killed. * Michael: Oh. Who's being naive, Kay?
* Michael: [speaking to Carlo] Only don't tell me you're innocent. Because it insults my intelligence and makes me very angry.
* Kay Adams: Michael, you never told me you knew Johnny Fontane! * Michael: Sure, you want to meet him? * Kay Adams: Well, yeah! Sure. * Michael: My father helped him with his career. * Kay Adams: How did he do that? * Michael: ...Let's listen to the song. * Kay Adams: [after listening to Johnny for a while] Tell me, Michael. Please. * Michael: Well, when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn't let him. Now, Johnny is my father's godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000. * Kay Adams: How did he do that? * Michael: My father made him an offer he couldn't refuse. * Kay Adams: What was that? * Michael: Luca Brasi held a gun to his head, and my father assured him that either his brains or his signature would be on the contract. * Kay Adams: ... * Michael: ...That's a true story. * [cut to Johnny singing again for about 10 more seconds before going back to Michael] * Michael: That's my family Kay, that's not me.
* Johnny Fontane: [discussing his problems] I don't know what to do, Godfather. My voice is weak, it's weak. Anyway, if I had this part in the picture, it puts me right back on top, you know. But this... this man out there. He won't give it to me, the head of the studio. * Don Corleone: What's his name? * Don Corleone: Woltz. He said there's no chance, no chance... * [Meanwhile, Hagen finds Sonny and summons him] * Johnny Fontane: A month ago he bought the rights to this book, a best seller. The main character is a guy just like me. I wouldn't even have to act, just be myself. Oh, Godfather, I don't know what to do, I don't know what to do... * [All of a sudden, Don Corleone rises from his chair and gives Fontane a savage shake] * Don Corleone: YOU CAN ACT LIKE A MAN! * [gives a quick slap to Fontane] * Don Corleone: What's the matter with you? Is this what you've become, a Hollywood finocchio who cries like a woman? "Oh, what do I do? What do I do?" What is that nonsense? Ridiculous! * [the Don's unexpected mimicry makes Hagen and even Fontane laugh; around this time Sonny comes in] * Don Corleone: Tell me, do you spend time with your family? * Johnny Fontane: Sure I do. * Don Corleone: Good. Because a man who doesn't spend time with his family can never be a real man. * [gives a quick look at Sonny and affectionately embraces Fontane] * Don Corleone: You look terrible. I want you to eat, I want you to rest well. And a month from now this Hollywood big shot's gonna give you what you want. * Johnny Fontane: Too late. They start shooting in a week. * Don Corleone: I'm gonna make him an offer he can't refuse. Okay? I want you to leave it all to me. Go on, go back to the party. * [a gratified Fontane leaves]
پرسش‌های پرتکرار (44)مشاهده همه
Who are the "Five Families"?
In the canon of The Godfather, there are five organizations, or "Families," in the New York area— (Vito) Corleone, (Emilio) Barzini, (Philip) Tattaglia, (Anthony) Stracci, and (Carmine) Cuneo. While the Tattaglia and Barzini Families weigh pretty heavily into the plot, due to the tensions between their organizations and the Corleones, there is little mention of the Cuneo and Stracci families, who are mentioned only as part of the Commission "sit down" with all of the major mafia bosses from around the country. The idea of the "Five Families" is based on real-life Cosa Nostra structure. Believe it or not, there are rules and an expected code of conduct within the mafia, and there are certain actions that require the approval of a family Boss. The "Commission" acts as a kind of mafia board of directors or mini U.N. to ensure that all of the families stay in line and avoid actions that might be dangerous to organized crime as a whole.It is mentioned in the novel that Anthony Stracci's crime organization operates mostly in Northern New Jersey & on Staten Island. Carmine Cuneo operates mostly in the Bronx. However, every family don of the five has ambitions to take over as much of the others' territory as they can, Barzini & Tattaglia being the two most ambitious and ruthless.
When Michael left the restaurant after killing Sollozzo, the car in which they arrived was parked outside. Where was the driver?
If he was standing guard out front, he may have ran off once he saw his boss and McClusky gunned down. Best not to be present at a cop killing.
How did Barzini and his crew so successfully set up Sonny's assassination? Couldn't they have done it sooner, say when Sonny was sneaking into the city to carry on his affair with Lucy Mancini?
Remember that Barzini is a very shrewd and crafty don; he's able to turn Carlo against the family he married into and betray Sonny. Barzini likely had dozens of his own men doing spy-like work to monitor Sonny's habits: when he would leave the Corleone compound, where he'd go, who he would meet with. So Barzini would rely on intelligence reports from his men to eventually figure out a pattern that would allow him to launch an attack.Barzini must also have been crafty enough to have his spies monitor other aspects of the Corleone's dealings: how often they moved shipments of black market goods, where their men were stationed throughout the city, whom the Corleone's higher ranking lieutenants would meet with and when. One such aspect that's outside those bounds of the family's dealings was finding out about Carlo's bitter feelings toward his father-in-law. The beating that Sonny gives to Carlo earlier on was very public -- it took place on the street, right in front of the bookie's office that Carlo managed for the Don. Upon seeing that happening, Barzini's men could investigate further and probably found out that Carlo horribly abuses Connie and that Sonny was the fierce older brother who wouldn't hesitate to defend his sister's honor by beating up Carlo.As for hitting Sonny at Lucy Mancini's apartment in the city, Sonny, having taken over his father's position as Don, almost never went anywhere without several bodyguards. Not only would he have a few men in his car with him, but there would probably be at least one other car following them. So Sonny kept himself well-protected. Also, Lucy's apartment was likely in a neighborhood of New York that lay within the Corleone territory, providing further protection. If there was trouble of any kind, Sonny's men could call other Corleone men to action at the site for protection if an enemy made a move against Sonny. Such a move would be too risky for any enemy to make.Such a move by Barzini was years in the planning: they had to lure Carlo over to Barzini's side -- not that hard since Carlo was so disgruntled with his shabby treatment by the Don. They might have given Carlo a date and timeframe to spark the fight with Connie. The woman who called Carlo and Connie's number to cancel the "date" he had with her was probably a Barzini operative and the Barzini people knew that Sonny would rush to Connie's aid, thereby leaving the compound. Sonny, who was absolutely enraged at Carlo's brazen defiance, made a big mistake in racing out of the compound without waiting for his bodyguards. Barzini's men picked the toll booths as a perfect spot to bottleneck Sonny for the assassination.
What is 'The Godfather' about?
Vito Corleone (Marlon Brando), the aging Don (head) of a New York Mafia family, has three sons: passionate hothead Santino "Sonny" (James Caan), weak and ineffectual Fredo (John Cazale), and youngest Michael (Al Pacino), as well as daughter Connie (Talia Shire), and adopted son (and attorney) Tom Hagen (Robert Duvall). Don Vito has always envisioned a "legitimate" career for his youngest son, Ivy Leaguer and Marine captain Michael. However, when the Don is unceremoniously gunned down in the street by drug dealer Virgil "the Turk" Sollozzo (Al Lettieri) after Vito refuses to back him in his fledgling heroin operation, Michael is drawn into the family business.
Is 'The Godfather' based on a book?
The Godfather is based on a novel of the same name (written by Italian-American author Mario Puzo [1920-1999]. The novel was published in 1969. Puzo also wrote the screenplay for the movie. The book was later developed into a trilogy of films, including The Godfather Part II (1974) (1974) and The Godfather Part III (1990) (1990). The Godfather won the 1973 Academy Award for Best Motion Picture.

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